From darkness to fine art of light and mud

The woman put on a half-white mask, as if assuming another form—a symbol of both the hidden and the past

My friends, Jorge and Mathias, along with Shimaya from Beyond Nudity, invited me on a walk outside of Amsterdam. All they asked was that I photograph a ritual—nothing more. On the way there, as we crossed a quiet stream, I saw a heron. It stood motionless on a stone, its ancient silhouette and piercing gaze. The heron felt like an omen as it unfolded its wings and slowly flew away.

symbolic journey, filled with shamanistic and pagan elements. A transformation that reflected the stages of alchemy—from darkness and dissolution to light and wholeness, from nigredo to rubedo.

We continued our walk, and soon we stopped at a large uprooted tree, rising from the ground like a backdrop holding ancient secrets. The three of them began to remove their clothes. It quickly became clear that the ritual would be a symbolic journey, filled with shamanistic and pagan elements. A transformation that reflected the stages of alchemy—from darkness and dissolution to light and wholeness, from nigredo to rubedo.

A large uprooted tree, rising from the ground like a backdrop holding ancient secrets. Fine art nude

Was this some kind of artistic expression, a way to challenge their own limits, or something entirely different? I was judgmental, perhaps because I didn’t understand what they were trying to convey. But the camera captured what I saw, even though I wasn’t sure what I was experiencing. They seemed unaware of my presence, but perhaps I was still part of the ritual, a spectator who would later share this moment with others who weren’t there.

A way to challenge their own limits. fine art nude.

In the ritual’s dynamics, gender roles became apparent. The men’s presence felt like a source of power, but it was the woman who carried a special symbolism. She represented memento mori, the reminder of death’s constant presence, our fleeting nature. The clay that covered their bodies connected them to the earth, as if they were returning to something primal and eternal.

“Contact with clay and bare skin brought forth visions of ancient times. Anger, sorrow, and fear—emotions carried through generations. Every life is a ritual, a new encounter to see where we truly are,” Jorge explained.
A ritual as a symbolic journey, filled with shamanistic and pagan elements. A transformation that reflected the stages of alchemy—from darkness and dissolution to light and wholeness, from nigredo to rubedo. Fine art nude.
Shimaya explained, “For me, the mask also symbolizes our ephemeral nature. Each of us has limited time here on earth. Our actions become more meaningful, and all our attachments become visible. When we are aware of our surroundings from this perspective, we can make wiser decisions for the benefit of all sentient beings.”

The ritual ended as the participants sculpted a woman’s body from clay. They embraced her, loved her, and in their movements, there was both reverence and desire. This clay figure became a final tribute to life and death, to creation and decay, a reflection of something greater than themselves.

Symbolic journey, filled with shamanistic and pagan elements. A transformation that reflected the stages of alchemy—from darkness and dissolution to light and wholeness, from nigredo to rubedo. Fine art nude.

Perhaps the heron had already seen all of this. I was there to capture the moments with my camera, but their meaning was beyond my understanding, and the interpretation is left for someone else.

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